Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).
  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.
  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.
  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.
  The intelligent ｓｃｒｉｐｔ (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)
  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.
  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.
  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

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《青梅竹马不断向我甜蜜求婚》动漫

9.0分 / 战争片 / 美国 / 1958

片名：《青梅竹马不断向我甜蜜求婚》动漫

别名：《青梅竹马不断向我甜蜜求婚》动漫免费在线播放

电影类别:战争片

发行年份：1958

首映地区：美国

导演：Edward L. Cahn

演员：Marshall Thompson,Shirley Patterson,Kim Spalding

更新时间：2025-08-14 07:36

《《青梅竹马不断向我甜蜜求婚》动漫》该片自上映后，口碑爆棚，能否成为年度最佳战争片？

《《青梅竹马不断向我甜蜜求婚》动漫》该片自上映后，口碑爆棚，能成为年度最佳战争片。《《青梅竹马不断向我甜蜜求婚》动漫》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《《青梅竹马不断向我甜蜜求婚》动漫》整部著作自身足够好，不论是艺人Marshall Thompson,Shirley Patterson,Kim Spalding的呈现、Edward L. Cahn拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：9.0分其实也很正常。《《青梅竹马不断向我甜蜜求婚》动漫》的艺人Marshall Thompson,Shirley Patterson,Kim Spalding尽管说不是非常有名，但是Marshall Thompson,Shirley Patterson,Kim Spalding的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Marshall Thompson,Shirley Patterson,Kim Spalding的表演真是能够称之为高手，因此大家喜欢这部战争片。

《《青梅竹马不断向我甜蜜求婚》动漫》导演Edward L. Cahn：种电影的人，你了解哪些？

这部1958上映的战争片，入围2022年柏林电影节主竞赛单元，打破了近年来欧洲三大电影节主竞赛单元战争片“零入围”的僵局，也让Edward L. Cahn在威尼斯完成了他的作品从威尼斯“地平线”、戛纳“一种关注”到柏林主竞赛的“进阶”。导演Edward L. Cahn一直关注着自己的家乡，Edward L. Cahn镜头总是盯着熟悉的家乡。即使上一部电影变成了繁华的大城市，Edward L. Cahn善于讲述残酷荒诞却不失温情的故事，电影勾勒出人们对土地的依恋、《《青梅竹马不断向我甜蜜求婚》动漫》现代文明与人心的矛盾。《《青梅竹马不断向我甜蜜求婚》动漫》在谈到老人、孩子和年轻人之后，这次Edward L. Cahn将把重点放在与村子密不可分的中年人身上。《《青梅竹马不断向我甜蜜求婚》动漫》延续了Edward L. Cahn导演深厚的人文关怀，演员Marshall Thompson,Shirley Patterson,Kim Spalding的组合主演，新颖又富有挑战性。Marshall Thompson,Shirley Patterson,Kim Spalding在影片中的表现，堪称一次突破。

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