http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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O somma luce 更新HD中字

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9.0 力荐

分类：剧情片 法国 2010

导演：让-马里·斯特劳布   

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片名：O somma luce

别名：O somma luce免费在线观看

电影类别:剧情片

制片地区： 法国

导演： 让-马里·斯特劳布

编剧： 让-马里·斯特劳布

主演： Giorgio Passerone

上映时间： 2010

对白语言： 汉语普通话 / 英语

色彩： 彩色

《O somma luce》是根据一个真实故事改编的，那《O somma luce》故事的大致内容是怎样的?？

　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

O somma luce完整版在哪里可以看？

O somma luce是近期播出的一部热门剧情片，O somma luce同时也是改编自同小说，所以有很多原著粉丝都十分喜爱观看这部O somma luce剧情片；可以在手机免费看《O somma luce》网址:http://www.yqcjdq.com/jdq/81530-0-0.html ，这个网站免费看O somma luce。同时这部剧情片O somma luce也邀请了当下最为火热的流量明星Giorgio Passerone，所以这部O somma luce一经上映就引起了很多观众的关注；同时随着第一批观众观看了O somma luce之后，而且O somma luce剧情十分搞笑，O somma luce得人物服装以及道具等等都布置得十分细致，O somma luce制作十分精细，所以O somma luce现在的收视率十分火热。O somma luce整部看起来十分轻松，O somma luce是闲暇消磨时间的首选。

O somma luce被一星差评覆盖，热度却居高不下，这是为什么呢？

O somma luce这部剧情片虽然评分比较差，可是O somma luce的热度却一直都很高，主要是因为O somma luce投放市场非常精准。可能和其他的那些剧情片比起来，O somma luce真的是没有任何的优势。O somma luce整个剧的内容可以说是又土又上头，可是O somma luce人家的目标是爽剧市场，O somma luce不是走的品质路线。就是这个原因导致O somma luce有着居高不下的热度，O somma luce虽然被一星差评给覆盖了，也没什么影响。

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